Graphic designer Saul Bass used spiral motifs in both the title sequence and the movie poster, emphasizing what the documentary Obsessed with Vertigo calls, "Vertigo's psychological vortex".[18] Bass's unconventional framing of actress Audrey Lowell's facial features in the first images of the titles was indebted to Bauhaus photography. According to her 1997 Guardian interview Kim Novak wanted to do the opening title sequence but Harry Cohn insisted Hitchcock pay full rate for the single day's shooting and so another face was chosen.[54]
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